Where sound begins
At TJ Flutes, we place the headjoint at the centre of everything we do. It is here that sound is formed, shaped, and ultimately defined.
For the player, the headjoint is not simply a component, it is the voice of the instrument. Response, tonal colour, projection, resistance, and flexibility all originate here. The body of the flute supports the sound, but the headjoint creates it.
This understanding sits behind one of the most extensive headjoint ranges available today, spanning student, step-up, and conservatory-level flutes. Each design reflects a deep, practical knowledge of how players develop, and how sound evolves with them.
Rather than offering a single solution, TJ provides a spectrum of tonal possibilities, allowing each flute player to find a voice that feels natural, responsive, and personal.
Wooden headjoints - Organic depth and tonal nuance
Our wooden headjoints, crafted from Mopane and Grenadilla are all carefully hand-finished and voiced by English flute maker Andrew Oxley. Each piece of wood carries its own character. Subtle variations in density and grain influence the way the instrument responds, resulting in a sound that feels alive, textured, and deeply connected to the player.
Wooden headjoints are defined by:
- A warmer, more rounded tonal core
- Greater depth and tonal complexity
- A natural resistance that encourages control and refined phrasing
- A wide expressive range, particularly in softer dynamics
They invite the player to shape sound from within, rewarding sensitivity, air control, and nuance.
Metal and hybrid headjoints - Clarity, projection, and precision
Our metal headjoint range centres around the TJ ‘Voce’ cut, developed to balance freedom of response with tonal focus.
Available configurations include:
- 958 silver lip plate and riser with silver-plated tube
- 958 silver lip plate, riser, and tube (solid 958 headjoint)
- Grenadilla wood lip and riser on a 958 silver tube
Metal headjoints offer:
- Clear, focused articulation
- Strong projection and tonal definition
- Immediate response across all registers
- Consistency and stability in a wide range of environments
The reflective nature of silver enhances projection, while higher silver content (such as 958) introduces greater tonal depth and flexibility.
Precious metal & plated Options - Subtle refinement of tonal character
For players seeking further individuality, selected headjoints are available with additional finishes and bonded materials:
- 18k Rose Gold plating
- 23.5k Yellow Gold plating / bonding
- Platinum plating
- Rhodium plating
These variations subtly influence response, resistance, and tonal colour, allowing fine adjustments to the overall playing experience without altering the core design.
Hybrid designs - Bridging material and response
Some TJ headjoints combine wood and metal elements, such as a Grenadilla lip plate and riser paired with a 958 silver tube.
These hybrid designs offer a unique balance:
- The warmth and tonal complexity of wood
- The projection and stability of metal
The result is a versatile headjoint capable of both intimacy and presence, particularly suited to players working across varied musical settings.
Choosing Your Voice
The choice between wood, silver, or hybrid headjoints is not a matter of hierarchy, but of musical intention.
- Wood offers depth, warmth, and intimacy
- Silver offers clarity, projection, and flexibility
- Hybrid designs offer a balance of both worlds
Each responds differently to the player’s air, embouchure, and musical approach. The right choice is the one that feels most natural—where the instrument responds effortlessly, and the sound reflects your musical voice without resistance.
A considered approach
Every TJ headjoint is designed with a single purpose: to allow the player to shape sound freely, confidently, and with character. Because ultimately, it is not the material alone that defines the instrument, but how completely it allows you to be heard.
Why do we not have prices on our website?
This is a TJ instrument reference website only as we do not sell our instruments directly to musicians.
Instead we sell our Trevor James flutes via our international network of specialist distributors. The details of the TJ representatives in your area can found here .
What is the weight of a Trevor James flute?
| TJ 10x flute |
360 gms |
| TJ Privilege flute with C foot |
420 gms |
| TJ Privilege flute with B foot |
440 gms |
| TJ Cantabile flute with C foot |
440 gms |
| TJ Cantabile flute with B foot |
460 gms |
| Addtional weight with TJ 'Voce headjoint |
+20 gms |
| TJ Virtuoso flute with C foot |
440 gms |
| TJ Virtuoso flute with B foot |
460 gms |
| Additional weight with TJ 'Voce'headjoint |
+20 gms |
TJ Alto flute
|
680 gms |
| TJ Bass flute |
1300 gms |
What is the weight of the case without flute?
Traditional flute case for TJ flutes 480 gms
Cherrywood case 660 gms
Alto flute wooden case 820 gms
Bass flute case wooden case 3000 gms
What is a step-up flute?
The first flute for the majority of flute players will be designed with ease of sound production as the focus. After a few years of practice and progression, flute players begin to desire more from an instrument. Not only are they required to play more complex and speedier technical passages, but their tonal requirements subtly change from ease of sound to quality of tone. This is where the student will look at the purchase of the 'step-up' instrument. This usually brings in to consideration models with headjoints of 925 silver or sometimes also with 925 silver body tube as well.
Do I need to oil my Trevor James wooden lip plate, wooden headjoint or wooden flute?
Any Grenadilla wood on your flute will be easy to care for. You will simply need to protect it from extremes of temperature and dryness. If you do not have a nut allergy then almond oil is by far the most frequently used. Take a small amount of almond oil on a cotton wool bud and wipe it over the wood. Never soak or over-oil any wood. Please note that it is vitally important to source an alternative oil should you have a nut allergy!
Refer to specific wooden care guide (click here)
Some quick do's and don'ts for flute care!
- Always use the correct method to assemble and de-assemble your instrument.
- It’s important that you always dry inside your flute once you’ve finished playing.
- Never keep the damp cloth that you’ve dried your flute with in the case.
- Do not oil the flute mechanism yourself. Take it to a specialist repair technician.
- Never use liquid metal polish, of any type.
- Do not regulate your own instrument by turning adjusting screws.
- Do not leave your instrument on a chair or other surface when not playing as it is very easily knocked off and damaged!
- Ensure that your instrument has adequate insurance cover against loss, damage or theft.
If you are unsure about any aspects of your instrument, consult your teacher or specialist flute shop. For more care information click on the Flute Owners Manual download here
What is the Trevor James warranty on new instruments?
For details of our Trevor James instrument guarantee click here